Details That Speak: An Interview with Polish Artist Karolina Kwiatkowska

In this captivating interview, we dive into the imaginative world of Karolina Kwiatkowska — a self-taught Polish artist whose evocative illustrations and striking visual language have quickly set her apart in today’s creative landscape. Blending the precision of graphic design with the sensitivity of illustration, her work reveals stories hidden in quiet details, mysterious atmospheres, and the silent honesty of the natural world. As she opens up about her artistic journey, inspirations, and the disciplined yet deeply intuitive process behind her creations, Karolina invites us into a universe shaped by emotion, observation, and an unshakeable dedication to craft.

Thank you for accepting our interview invitation, Karolina. To begin, could you tell us a bit about yourself?

Hi, thank you for the invitation, this is a big event for me. I am a self-taught artist from Poland. I work as a graphic designer on a daily basis, and recently also as an illustrator.

When did your interest in art or design begin?

I think the turning point for me was when I made my first photomontage. Before I started designing, I was interested in photography, and I once got a commission to add a few elements to a photo. I enjoyed it so much that I started doing graphic design and, for the past few years, I have also been creating illustrations.

Are there any creative people you admire or take as inspiration?

Definitely Zdzisław Beksiński, a Polish painter. His works have accompanied me since the very beginning of my artistic journey, but Wiesław Wałkuski, a Polish graphic artist and poster designer, is also a source of inspiration.

In your opinion, what is the connection between being a graphic designer and an illustrator?

In my opinion, the main common feature is imagination, an open mind, and no limitations. Illustrators and graphic designers must generate ideas because that is the basis of their profession. In addition, knowledge of computer technology is another feature they have in common.

We can see a very distinctive style in your illustrations — something many artists strive for. Which artistic movements have influenced you on your way to developing this unique style?

I thought about this question for a long time and came to the conclusion that I never had a single motif that influenced my style. I think it's a strong mix. I've been watching and admiring many artists for a long time, and each of them creates differently, and I think each of them has contributed to my style.

Would it be accurate to say that there’s a sense of storytelling in your works?

Definitely yes, when I start the creative process, I come up with a story and pick out a frame from it, which later becomes my illustration.

What kind of themes or subjects inspire you?

I think photography inspires me the most. More specifically, nature and street photography. Beautiful shots, captured moments, and natural colors. And since I sketch with charcoal, many of my illustrations are created this way first.

How has the place where you live influenced your art?

The place never mattered to me and did not influence my art. For me, art is always created wherever I am.

You seem to have a strong connection with animals, we notice many animal figures in your work. Is it difficult to draw animal figures and why do you prefer it?

Oh yes, I love the animal world. It is very logical and honest. For me, everything there is organized and everyone knows their place. I have spent most of my life surrounded by dogs, participating in this world, and every time I admire their honesty towards me. I like the simplicity that reigns among animals. Illustrating them is not a problem for me. I don't know why, but it's very easy for me to create animals.

You also have both figurative and abstract compositions, and especially in these pieces, your harmony of color and texture is quite striking. Do you prepare before starting a piece, such as creating a color palette or sketches, or do you prefer to work more spontaneously?

As I mentioned earlier about sketching, that's how the whole process begins. I never act spontaneously. Sometimes I have too many ideas, and if I didn't organize them, none of them would ever come to fruition. Before I start designing, I always write down my idea, possibly sketch it, decide on the colors, and only then do I begin. The only moment for spontaneity comes when choosing the color palette; I often change it once I see the designed illustration.

Your works carry a mysterious and somewhat cold atmosphere. When examined closely, they resemble storyboards for a film — but for a fantastical one. Do you think it’s more difficult to create realistic and detailed works, or to build an entire universe with minimal touches?

In my opinion, it is more difficult to create a world from scratch. After all, an imaginary reality must have some rules, and that requires a lot of effort and knowledge. Copying something that already exists is a bit mindless because we already have everything ready, while creating a world from scratch requires complete focus so as not to make a mistake that could later affect subsequent stages of creation. It takes a lot of creativity and logic.

Are there any other forms of art you follow outside your own field — perhaps music or film you enjoy?

I like drawing. I know it's closely related to graphic design, but there's something more natural about charcoal drawing. I put away my computer or tablet and go sit with my dog and some sheets of paper. I also like doing DIY around the house.

What are your thoughts on digital art?

I think it's a wonderful field. It's constantly evolving, allowing artists to become better and better. It's amazing that you can combine computer technology with art. We have a wide range of tools to choose from, so there's something for everyone, and anyone can try their hand at digital art. Let's look at computer games and how they have changed visually; the artistic aspect is very valuable there. If it weren't for digital art, we wouldn't have the chance to transport ourselves into the world of the story. In addition, digital art offers a lot of free programs that give every artist the opportunity to develop.

What kind of challenges do you think artists face in today’s

world?

There is a lot to say here. Certainly, advances in technology such as artificial intelligence. It is becoming increasingly difficult to find a permanent place in the labor market. There is so much art everywhere that finding commissions or clients is very difficult. Artists are also currently struggling with pseudo-artists who, with the help of free graphics, are able to take the place of original designs.

Is there a new project soon?

Yes, I hope it will be finished soon and I will be able to show off the result ;)

If you had to describe your art in one sentence, what would you say?

Details that rarely catch the eye.

We would like to extend our sincere gratitude to Karolina Kwiatkowska for sharing her time, thoughts, and artistic vision with us. As Squint Magazine, we are truly honored to feature an artist whose sensitivity, imagination, and dedication to her craft shine so brightly in every piece she creates. Karolina’s unique perspective and unwavering authenticity make her a rare voice in today’s art world, and we are grateful for the opportunity to highlight her inspiring journey. We look forward to witnessing the continued growth of her remarkable work.